Kazan had overseen virtually every detail.
Thanks for posting that clip.
This empowered her to play a wide range of characters and undoubtedly proved to be a factor in the first roles she landed on Broadway: The Happiest Girl in the World 1961 and Bravo Giovanni 1962 —based on Greek and Italian culture, respectively.
And they rented me a van.
I think she had on a body mic, too.
Sometimes there would be a special edition like, Playboy's Sex in the Cinema.
Bob Dylan was a standard in the room.
Offers started coming in from Hollywood.